[COL007] V​/​A – Dance Now, Sleep Later

col007Artists & TitleV​/​A – Dance Now, Sleep Later
Label: COLOURS Music
Catalogue#: COL007
Date: 2014
Format: CD
Country: Slovenia

Tracklist:

Credits:
Compact Disc (CD)
Limited to 200 CDs!

Second limited release from series of Colours Music V/A CDs in physical form designed by Ljubo Bratina (ljubobratina.com).

Unlimited mobile access using the free Bandcamp listening app.

Warning:
DIGITAL FILES ARE NOT AVAILABLE FOR IMMEDIATE DOWNLOAD!!!
CDs WILL BE SHIPPED IN 3-5 DAYS FROM RELEASE DATE.

Releas date: 18th April 2014

© 2014 Colours Music. All rights of the owner of the recorded work reserved. 

[STS24912] Neneh Cherry – Everything

neneArtists: Neneh Cherry / Villalobos & Loderbauer: Vilod
Title: Everything
Cat.: STS24912
Format: CD Album, LP, Mp3
Release: 2014

Tracklist:

Credits:
Four Tet’s sparse, apocalyptic production practically demands Yeezus comparisons. But then again, Cherry was singing over sparse, brutal, state-of-the-art rap sonics nearly a quarter century ago.“ – Stereogum

In October 2013, Neneh Cherry made an exciting announcement. She was coming back with her first album of solo music in 18 years. A collaboration with RocketNumberNine produced by Kieran Hebden and featuring a guest appearance by Robyn – Neneh shared the eponymous track ‘Blank Project’ in December 2013. To start the New Year, Neneh has revealed a completely new original track ‘Everything’ as well as a remix of the track by the iconic techno producer/DJ Ricardo Villalobos and Max Loderbauer. For Neneh fans eager to hear the new material live, she also announces an intimate European tour for February and March, including club dates at London’s Concrete and Berlin’s Berghain.

[TRM029] Fumiya Tanaka – 20th EP

toremaArtists & Title: Fumiya Tanaka – 20th EP
Label: 
Torema Records
Catalogue#: 
TRM029
Date:
 
2014
Format: 
12″ Vinyl + CD

Tracklist:
A.
Fumiya Tanaka – “1999”
B. Fumiya Tanaka – “Do Op To Far”

Credits:
Written by Fumiya Tanaka in 1999.
  This release for the label 20th anniversary include tracks from 1990′s.
Both tracks unreleased only played few times of the data.
  Include bonus sampler CD from 90′s torema records released already track.
This selection feeling a breath of beginning of the label.

fumiyatanaka.com

Moare. fons

moare
Platform:
 Soundcloud
Title: fons
Profile: moare.
Date: 2013
Time: 01:18:52

Credits
sunday sun day….vinyl,cd…chill

Housewise

http://facebook.com/housewiseslo

http://www.facebook.com/iilmare

 

[POM32] Bad Cop Bad Cop – Wings Of Techno

pomeloArtists & TitleBad Cop Bad Cop – Wings Of Techno
Label: Pomelo
Catalogue#: POM32
Date: Feb. 2013
Format: Double 12″ + CD, Digital
Country: Austria

Tracklist:

Credits:
Bad Cop Bad Cop are underground veteran Alex Cortex (XX Badcop) and glam-tech-hero Lopazz (ZZ Badcop), both well-established producers and perfomers for many years with top-credentials on smaller and bigger imprints alike. So different they are in their respective solo-projects, so indistinguishably they melt their unique visions into one flow of effervescent creativity when they hit the studio or stage together.

Bad Cop Bad Cop’s music is deeply rooted in early to mid-nineties techno, house, and electronica but at the same time peeps through wormholes into the future. Their music encompasses many styles beyond electronic music without ever losing its focus on the dancefloor. Driving, roaring, epic, and cosmic are all apt descriptions of their sound, but so would be jacking, funny, surreal and -above all- alien. A typical trip to Bad-Cop-Land is a full on crash through a psychedelic wall of sound that has to be experienced rather than understood.

Celia Green once wrote “astonishment is the only realistic emotion”. When listening to one of Bad Cop Bad Cop’s records or seeing them in concert be prepared for a good package of that, as they have made it their trademark to surprise their audiences and to lure them into otherwordly and mind-bending audio-stories.

Now, the ever-reliable Pomelo label brings you Bad Cop Bad Cop’s debut album “Wings of Techno”. It’s a trippy puzzle of styles and moods that blends the most absurdly divergent tracks effortlessly into one coherent piece of intriguing musicality. Homelisteners will cherish it for its completeness while DJs will love the surplus value of this package. Bad Cop Bad Cop certainly show us that variety still goes a long way. Here’s where the wings come into play and take you, the listener, where you want to go.

Get your copy soon!

[FOFLP1] Ivano Tetelepta – True Colours LP

Artists & Title: Ivano Tetelepta – True Colours LP
Label: Fear of Flying Recording
Catalogue#: FOFLP1
Date: 24 Sept. 2012
Format: 12″ Vinyl LP, CD
Country: London

Tracklist:


Credits:
Super upfront peek at two tracks from Ivano’s forthcoming LP… released on vinyl & Cd in September :)

Get your copy!

[UQ-047] DJ Jus-Ed is 50ty and Lookin’ Good!

DJ Jus-Ed is 50ty and Lookin’ Good!
Label: 
UQ
Artists: Dj Jus-Ed
Catalog#: UQ047
Format: CD Album, File
Country: US
Released: Sept 2012

Tracklist:
1.
Marylandjam dtp
2.
Project45
3.
The Favor
4.
All I Want To Do (Part.2)
5.
PJ-255 GV Room
6.
Becky’s Jam (Part.2)
7.
Ohmy
8.
Techno Dance
9.
All I Want To Do
10.
GV 255 Lazy Boy
11.
Project #14

Credits:
//

Get your copy!

[CORCD/LP031] Daniel Stefanik – Confidence

Daniel Stefanik – Confidence
Label: 
Cocoon Recordings
Artists: Daniel Stefanik
Catalog#: CORDCD/LP031
Format: 12″ Vinyl / CD Album
Country: DE
Released: Sept 2012

Tracklist:
1.
Daniel Stefanik – Entrance
2. Daniel Stefanik – Light On
3. Daniel Stefanik – 1996
4. Daniel Stefanik – Port Of Transition
5. Daniel Stefanik – Distillery
6. Daniel Stefanik – Bend The Rules
7. Daniel Stefanik – Dazed And Confused
8. Daniel Stefanik – Keep On (Version II)
9. Daniel Stefanik – Confidence
10. Daniel Stefanik – Prelude (Vinyl Only)
11. Daniel Stefanik – Elektron Storm (Vinyl Only)
12.
Daniel Stefanik – Rush (Vinyl Only)
13. Daniel Stefanik – Basement Valut (Vinyl Only)

Credits:
Daniel Stefanik is one of The Techno and House newcomers of the last years. His carefreeness as a DJ behind the decks and his likeable appearance are literally distinctive for a new generation of young, down-to-earth producers from Germany, which are the result of the influence of Väth, Villalobos and Hawtin on the one side, and solid but hedonistic House on the other. Whereas many producers nowadays have dedicated themselves to only one musical direction, the influence of Kerri Chandler, Chez Damier or Kevin Saunderson is clearly noticeable in Stefanik’s music. His longplay debut for Cocoon Recordings is a mirror of all these influences and yet it’s so up-to-date and contemporary like only few other Techno and House albums today.
As the name already suggests, “Entrance” is the gate to Stefanik’s club world, the door into the night and to the dancefloors of the hedonistic but nevertheless gloomy metropolises of this world. “Entrance” breathes influences from Detroit and Underground Resistance. Not again this pseudo-deep Loop House, or even another definition of Minimal, but a production with depth and substance, however, without cramping or wanting too much. The perfect start of a long, cool night – the sound that opens the gates to another world. “Light On” targets the beat for the first part of the night and follows an almost East German approach, if you like. House music like it’s been served by Marvin Dash or Dub Taylor for many years: no hands-up attacks and no overproduced U.S. influences from New York, but slightly raw with an eye for the essentials: the kicking beat and the atmosphere from 1 a.m. on.
“1996” is the next hint of Stefanik’s influences and references. Dave Clark and Slam say hello from the background and also the Detroit House scene around Jeff Mills and his early AXIS productions can be recognised here. The kicking 909, the demanding beat and the gloomy-like filters don’t sound like Germany at all. And with “Port Of Transition”, Stefanik consequently follows the path he took before. Breakbeat elements melt together with Detroit beats and arpeggios into a timeless mix. In a blind test, it is rather impossible to allocate this track to a certain time period. This is a proper universal weapon for all the Techno DJs of this world. “Distillery” is a short break, going back to more feeling and layers of sound, and back to more House beats – the sound that has been characteristic for one of Leipzig’s best clubs for many years. House with a bang, so to say, not too happy, not too greasy. The perfect soundtrack to let yourself go into a night that has just begun, to become one with the club and to leave daily life behind you. A very successful homage to East Germany’s most important club over the last twenty years!
“Bend The Rules” leads the listener on his journey away from Leipzig and to Berlin, into its long Panoramabar nights and its hypnotic, almost trance-influenced dance marathons, where the slowly rising sun is channelling its way through half-closed shutters and the sweat-soaked, smoky air. “Bend The Rules” is the club and music karma of such nights – condensed into one single sentence. Anything goes, everything is possible and nothing sticks to the common rules.
Of course, being an eyewitness of these nights with the respective music and atmosphere sometimes lets you end up a little out of it and a little dopey – in other words: “Dazed And Confused”. The soundtrack for a long walk home, when the club has extracted all your energy… You walk through the Berlin sun and the chilling morning air, yet bathed in sweat – or simply down to the river where the next party is already starting… coming back down… close your eyes without sleeping… DAZED AND CONFUSED!
This is where the transition to eternity is created, to the never ending party, to just carry on. And there’s no hedonism needed from the early morning until noon, only the atmosphere is what counts! This very special mood in between the brisk wind, the blazing sun and people that have been seemingly with you for the whole night. “Keep On” puts all this in a nutshell: a beer in your hand and the after hour dancefloor in focus – Stefanik got it exactly! The last track, “Confidence”, represents the final chapter of a long and varied night, the soundtrack for Berlin in the year 2012, full of Detroit and House classics, and full of quotes from almost 20 years of House and Techno history. And with pride and confidence, Stefanik can be 100% sure that he succeeded in making this album exactly what he had in mind: capturing the soundtrack of a generation – or better: of a lifestyle. With “Confidence”, Stefanik releases us on our way home in a very relaxed mood. By taxi, by train or by foot, this is the self-discovery of a Techno raver heading home, off the party and right into recreation…
The next weekend is bound to come.

Get your copy!

RINGMAT – CDI BLUE PLUS


Developments Ringmat stems from over ten years experience and passion of John Rogers in the field of high fidelity, Ringmat philosophy is centered on developing a system to optimize the sound and the lowest spending. From there, cables and accessories that are born radically improve the sound, born of years of tests and experiments on materials and represent the best possible response to the challenge of Quality for Price.

Each component, which may apparently seem simple, it is extensively studied and tested at length in order to fulfill the function to best optimize the sound.

The CDI BLUE is a healing sound system designed specifically for the CD.

Have you ever noticed that compared to analog, the CD, even though silence best, loses in naturalness and musicality. Never noticed that on many CD sound is audibly electrical and often tiring in the long run?

This usually occurs because the CD plays, for certain parameters, in digital sound, making the model does not perfectly natural, and your ear notices it. With the CDI Blue will not be anything more: your CD, even if economic, will significantly improve all parameters and listening will be more natural and much less tiring.

It’s hard to explain because it improves the sound, it quickly becomes more consistent, natural, less artificial, the effect is obvious and clearly audible from the first notes, you will be deeply surprised. The hot tip to the holders of good readers.

Buy on Ringmat.com

[HJRCD/LP67] Mortiz Von Oswald Trio – Fetch

Moritz Von Oswald Trio – Fetch
Label: Honest Jons Records
Catalog#: HJRCD/LP67
Format: 12″ Vinyl, CD, Album
Country: London
Released: 18 June 2012

Tracklist:
1. Jam
2. Dark
3. Club
4. Yangissa

Credits:
The Moritz Von Oswald Trio operates at the bleeding edges where musical lineages collide. Feeling for the shared heartbeat that pulses through dub, techno and jazz, it seeks out points of contact before exploding them outward into hypnotic explorations of rhythm, texture and tone. After two previous studio albums and one live album through Honest Jon’s, the Trio — Moritz von Oswald, Max Loderbauer (NSI / Sun Electric) and Sasu Ripatti (Vladislav Delay / Luomo) — returns with Fetch, their most fully‐realized voyage yet into these in‐between worlds.

At once umbilically connected to and completely distinct from all the musics that they draw from, the Trio’s subliminal musings on the connections between musical forms are expressed by Fetch as a series of beguiling contradictions. Rigid vs. fluid; playful vs. deadly serious; machine vs. human; sensual vs. austere: all of these seemingly opposing forces are allowed to intermingle across four longform tracks, sometimes played off against one another, occasionally brought together in tense unison before springing apart once again. This is crackling, charged music — electronica performed live, the players’ neural impulses flowing into their instruments. Fetch further cements the Moritz Von Oswald Trio’s status as a unique voice in modern electronic music — as supple, intuitive and alive as the most exploratory of jazz.

Recorded in August 2011, Fetch finds von Oswald, Loderbauer and Ripatti in a darker and more driving mood than on previous albums. Joined by ECM’s Marc Muellbauer on bass (from second album Horizontal Structures) and Tobias Freund (for the first time since debut Vertical Ascent), to add live effects in real time, they laid down the foundations swiftly, with the entire recording completed in around four hours. Later, instrumental overdubs were added by Jonas Schoen (flute, bass clarinet, saxophone) and trumpeter Sebastian Studnitzky.

Order on Honest Jons Records